Dancing with David Duchovny

Happy New Year, everyone! I had a wonderful holiday season, and I hope all of you did, too – whether you celebrated Hanukkah, Christmas or Kwanza, or celebrated your unique place in the Universe in some other way.

I had a dinner party for seven of my good friends, including my son, Adam, on Christmas Eve. It was a wonderful occasion; I managed to brine, butter and baste the turkey into succulent perfection and Adam, who is something of an amateur chef, made scrumptious gravy. The best part of the evening, though, was lingering at the table for hours, laughing and talking and reveling in our fellowship. To have friends is a wonderful blessing and being able to count one’s grown offspring among them is a double blessing.

New Year’s Eve turned out to be quite an evening! You may recall that I’d been invited to fill out the singles’ table at a formal dinner dance put on by Vera Kywa, owner of 2Dance, a private studio in York. The event was held in the Yorktown Hotel’s ballroom and featured a wonderful dinner and a 12-piece orchestra. Vera had invited a stunningly handsome friend of hers up from Washington, D.C. to be her partner and as they were seated at my table, I had a chance to chat with him. He told me he’s been dancing for 25 years and, my, did it show – he and Vera pretty much dominated the floor, although there were a number of very impressive couples in attendance. This guy not only looked a lot like David Duchovny but was absolutely charming, too. When I came around a swing turn too fast and lurched into him, he murmured, “Oooh… I like a bit of full-contact once in a while.” Sigh.

A big welcome to Charlotte, who has just started following this blog. Stay tuned!

Happy Hollidays, Everyone!

Beautiful things are happening in my extended and local dance communities. First, news of the extended community: Loveable Stef, writer of The Biggest Girl in the Ballroom posted yesterday  http://dancingwithstefanie.com/ an inspiring account of recent victories and breakthroughs, on and off the hardwood.  If you’re interested in dancing and like rooting for gutsy people who don’t quit when the going gets tough, you may want to follow Stef’s blog.

My studio, Arthur Murray Central PA, had its holiday party last night at its Lemoyne location and it was a wonderful event. The studio was decorated to the nines, and the ladies and gentlemen in attendance were resplendent in their semi-formal finery. We had hot appetizers and fresh fruit and rum punch… I think the holiday spirit improved my cha cha! The instructors even put on a little show for us, which I loved. Their energy amazes me; over the course of the evening, I danced with each of them, in some cases more than once, and none ever came across as bored or tired – even toward the end of the evening when they’d all been dancing constantly.  I really appreciate the fact that even as a single student, I don’t do much sitting around at studio events.  There are always a few line dances, for which one needs no partner, and something I like a lot called the Waterfall: the gentlemen line up on one side of the room and the (always more numerous) ladies line up on the other. The first male and female from each line then pair up and cha cha or rumba or whatever down the length of the floor, followed by the next couple and the next. That keeps going for several rounds, so everyone gets to dance, usually with a new partner for each round.

About a month ago, I had another beautiful happening – a coaching session with Agnes Kazmierczak. Click link below to access a gorgeous picture of Agnes.

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Agnes is a recently retired competitive Ballroom dancer, successful enough to have been invited, with her then partner  Urs Gursenhainer, to do a guest performance on Dancing With the Stars. In this video from YouTube, you’ll see Michael Buble’ first and then Urs and Agnes come out and do their really amazing thing:

http://www.youtube.com/watch?v=9sJCoocxBEg .

Here’s another  video of Agnes and Urs – this time in competition, doing a gorgeous Waltz-Tango routine to music from Phantom:  http://www.youtube.com/watch?v=Og0Qbla_cGY

 Agnes works for Arthur Murray International now, as a touring coach and event judge. In a coaching session, one dances with one’s regular instructor while the coach looks on and makes suggestions. I found my session with Agnes most valuable and am grateful for having had the opportunity to take instruction from a genuine Ballroom goddess.

Until next year!

Ballroom and Flying Helicopters: Who Knew?

I’m surprising myself by updating this blog fairly promptly. Perhaps I’m reforming… but don’t bet your competition shoes on it. :)

I’ve been corresponding with Peter Beyer, a fellow dancer who resides in Australia. How wonderful to have a pen pal on the other side of the earth! Peter told me a story about a friend of his, a dancer, who had taken helicopter flying lessons when she was in her late 40′s (which is getting to sound really young to me). The lady’s instructor had been amazed at how focused, relaxed and balanced she was at the controls of the machine as it turned and banked, and said he though she must have a natural gift for flying helicopters.  Peter’s lady friend then told her instructor that she attributed her ability to focus and relax in a spinning helicopter to having mastered Viennese waltz!  The instructor laughed – until she provided him with some lessons – and then he said he thought taking up VW might improve his other students’ ability to focus and relax while being spun around and around. How Cool is that!

Peter also provided videos of New Vogue, an innovative  Ballroom style becoming popular in Australia and New Zealand. Hope you can open it. It would not open in Safari, but I could view it on my i-Phone.

http://m.youtube.com/#/watch?v=cB5vaGFrsUc&desktop_uri=%2Fwatch%3Fv%3DcB5vaGFrsUc

 

Sam and Sheila are Gone

Sam (Samantha) and Sheila, two blazing instructor-stars, are now missing from my Arthur Murray firmament. Sam had been around for quite a while and I liked her so much: I loved dancing with her and seeing her cavort at group lessons and parties. Sam has such beauty and energy and with her sparkling eyes and athlete’s body, she embodies one of my favorite sayings - strong is the new pretty. I remember having watched her horsing around with two other departed stars, Harrison and Ben, and being so pleased at how much they seemed to be enjoying one another. I’ll miss you, Sam. I have no doubt that life holds many blessings for you.

Sheila was a fairly new teacher who caught on to Ballroom so fast I could hardly believe it. A native of Kenya who speaks impeccable English as well as two other languages, Sheila is charming and attractive and was a terrific teacher, right from the get-go. Sheila, I will miss you and am envisioning a bright future for you as well as for Sam.  Having dealt with thousands of young women over my 30 years in teaching, I know a couple of winners when I see them!

Not long ago, another instructor I very much enjoyed, Chantel, left to go back to school. Chantel, I simply can’t dance Bachada without thinking of you and your da ta, da ta, da ta … BOOP! … and your wonderful faux accents. Fare well.

I’m learning that the half-life of the average dance teacher is short. While some thankfully remain in the business, quite a few seem to move on to something easier on the feet and with better hours.  Another factor that has been pointed out to me by studio owners is that the Ballroom biz is harder for female than male teachers because single lady students usually want male teachers and there are fewer single male students. At least the girls get some of the couples; but I would not be surprised to learn that Sam and Sheila left A.M. primarily because they could not make enough $$. But, who knows? Maybe they’re both getting married. 

I shall be returning to my book project very soon. Will be scheduling interviews with instructors and a few more students, checking out some additional dance lit, and then I’ll start assembling the actual tome. I appreciate the patience of everyone involved and will make another blog entry within a week or so. Promise!

Halloween is my VERY favorite holiday!

 My favorite time of year got off  to a great start at the annual Arthur Murray Central PA halloween party. What a bash! The York studio looked absolutely wonderful, with black netting, bats, and halloween lanterns hanging from the ceiling, spooky posters on the walls and “rats” running amok in the bathrooms. The yummy green ice-cream punch and assorted creepy-looking cookies added to the effect. The ballroom was packed with students and instructors cavorting in outlandish costumes. Speaking of which… a modest person would never mention having won an award of any kind, but …  My COSTUME WAS #1!   YAAAAY! I’m standing next to hunky instructor, Luke. (If that snap won’t get ya dancin’ , I don’t know what will!) 

I carved a couple of pumpkins for the carving contest, too. Didn’t win, but lottsa fun! Someone else had a terrific pair of dancers carved in relief across the front of his gourd. Should have gotten a picture of that one.

Almost finished with my sabbatical project. Back to the book soon! Promise!

Still Alive, Still Dancin’, Still Writing

Hello, Again, Everybody! My bad (really bad), for not having updated this blog for a couple of months now. What happened is that I was granted sabbatical leave from York College for the purpose of completing a pretty big project, and wound up putting my dancing book  – and this blog – on hold so I could finish the project under deadline. My appreciation to everybody who’s been inquiring about my welfare and wondering what’s been up lately.

I’ve got several terrific interviews in the hopper, waiting to be transcribed, and have a stack of books about music and such I plan to read. Once I wrap the sabbatical project up – in another week or so, I hope – I still have more interviews to do, too, and keep getting leads about folks who’ve gotten a new lease on life through Ballroom.
My own actual dancing is coming along well; I’m awaiting the video from the Chesapeake Ball,

my latest Arthur Murray competition. I can tell my balance and forward poise are better by the way I feel when I dance, but also know I have a long way to go in those areas. Am gearing up for the A. M. Halloween party; I won both the costume and pumpkin carving contests last year and plan to defend my titles!

Wonderful Interviews with Dancers

Last weekend, I journeyed to Severna Park, MD, to interview (for my book) dancers affiliated with the Arthur Murray Studio there. What lovely people! How nice dancers tend to be never fails to amaze me. While there are no doubt grumpy types everywhere, they are under-represented at dance studios. While it may be that it’s mainly happy people who are attracted to dance in the first place, I know from my interviews that dance does make those who take it up happier. It sure did that for me, and I was already a fairly light-hearted person. I’ve noticed that unhappily-married couples also seem to be under-represented at studios. While it’s unfortunately common for marriages to devolve into we’re-merely-sharing-space, or we’re-staying-together-for-the-kids affairs, many of the long-hitched dance couples I meet have obviously  managed to keep the spark alive. What part does dancing together play in that? Inquiring authors want to know!

Speaking of marital intimacy (or the lack), I’ve just finished a most interesting Ballroom-oriented book written by Janet Carlson titled Quick! Before the Music Stops. How Ballroom Dancing Saved My Life (2008). Carlson, while in her 20s, had been a very successful amateur ballroom competitor but had dropped out to pursue her career as a magazine editor. Twenty years later, she returned to dance and her book is a reflection on the challenges and joys of that renaissance. I found the author’s treatment of her attempts to re-master various high-level ballroom techniques, and her reflections on the similarities between dance and marital partnerships, fascinating.
In case you’re interested, I’ve listed below a few of the other books I’ll have to list and review as part of the proposal (for my book) I’ll eventually be submitting to a publisher:
Erikson, Julia (2011). Dance with me: Ballroom dancing and the promise of instant intimacy- Have not read it yet.
Savoy, Sharon (2011). Ballroom! Obsession and passion inside the world of competitive dance. New York University Press – Have not read it yet.

Seagull, Elizabeth (2008). Ballroom dancing is not for sissies. An R-rated guide for partnership – A serious reflection on the challenges of partnership in Ballroom. A must-read for instructors and couples who dance together.
Raurell, Lydia (2008). A year of dancing dangerously. One woman’s journey from beginner to winner – Haven’t read it yet.

Moore, Alex (2002). Ballroom dancing – A how-to guide

Allen, Jeff ( ). The complete idiot’s guide to ballroom dancing – Another how-to guide

While in Maryland, I took a lesson at the Severna Park studio from an instructor named Paul. Paul is a tall, handsome (aren’t they all?), charming (aren’t they all?) man who is a fabulous dancer and a seasoned instructor with 10 years of experience. I was so nervous initially that I could not hear the music and could not tell what dance I was being lead through. My feet knew, though, and Paul swiftly put me at ease. I became aware that I was waltzing – my favorite thing in the world to do. We worked on my twinkles and my walk-around turns. I simply cannot seem to get the hang of rotating 180 degrees on a given foot and leaving the weight on that foot until it’s time to shift to the other foot, rotate, and leave the weight on that foot until the next step. I have a dreadful tendency to lurch through turns, sticking a leg out for balance. We also worked on Cuban motion and Paul taught me to dig the heel of my straight leg into the floor in order to feel what it’s like to really settle deeply onto the other hip.

This weekend, I’m off to NYC for another workshop on Energy Psychology.

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